Wingdings - I-III

I: Return To Earth (Outer Limits Recordings, 2009)

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II: Zarathustra's Puzzle (Outer Limits Recordings, 2009)

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III: The Symbol Of Infinity (Outer Limits Recordings, 2009)

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The ongoing adventures of Bruce Muscle find his supposedly peaceful return from chilling with the intergalactic party dudes in the Bro-Zone violently interrupted by lysergenetic vistas of brainjuice-sucking Transmedia™ kaleidoscopic prisons: WHO KILLED FLUFFY BUTTERS? Doom II chaingun vengeance is found in the new VHS holographic weapon, Ripper Fleshers®, but only with the help of Thrash® energy juice (energize now with the Kenner™ Metaphysical Effects® Playset!) and Innerspace guru and Soul Vision pioneer, Rom Dos, can he seek to destroy the all-encycling computer mind now consuming VIRO CITY. Hey dude, where's all the babes & beer?

Diminishing Shrine Recycles

JAMES FERRARO - DIMINISHING SHRINE RECYCLES from OLDE ENGLISH SPELLING BEE on Vimeo.

Descend into holy valleys of subcortical color only to be murdered by some trash humping mutant 'burb hunters...

Brainworlds

** (CocoArt, 2009)

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*** (Sonic Meditations, 2010)

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**** (Hooker Vision, 2010)

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***** (Sonic Meditations, 2011)

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Com Truise - Galactic Melt/ Fairlight

Galactic Melt (Ghostly International, 2011)

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Fairlight (Ghostly International, 2011)

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More recent synth work that's broke above the herd to my interest. This is totally spot-on production instrumental electropop with professional post-dubstep level mixing decks. It refines the best elements of the more rhythmic side of the earliest still-analog electro sound, and while, yes, this is a blatantly retro exercise, and such a good one that the guy earned a lucky spot on the Tron: Legacy remix disc, the difference here is the hardcore intent on making it sound great. And that it does.

Laurel Halo - Hour Logic

Hippos In Tanks, 2011

Halo creates a deeply personal synth vision that here seems to merge the Kraut-sequenced post-Oneohtrix field of hauntological electronics with some of the compositional flavor and rogueness of early-90s IDM & ambient techno; AFX, Autechre, especially The Orb. Her vocals are an entirely different story, somewhere between a parallel-universe 80s android diva and the even more lovely lingual bloomings of 4AD chanteuses like Elizabeth Fraser. What comes to my ears is far beyond the monotony that's turned me off to the new new age synth movement in recent days, a sound that despite its obvious 20-year old bin digging doesn't sound like an exercise in weak retro fashion; instead it's daringly ethereal and futuristic electronic music.

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